1 2:12 Apr 1990 p33-35 OPERA TRENDS: Mermaid Operas Au Naturel

2 4:1 May 1991 p24-27 The Operas of Elie Siegmeister (1909-1991):
---The rich legacy from an American composer must not be neglected

3 4:2 Jun 1991 p28-31 William Bolcom in New York

4 4:5 Sep 1991 p27-34 (with Erick Neher) The Bolshoi Returns to New York

5 5:2 Jun 1992 p23-27 Miami Discovers Franchetti

6 5:6 Oct 1992 p37 Opera Review: Kirov Demons Invade the Met

7 5:7 Nov 1992 p24-25 Opera Review (by George Wallace) [New World]:
---Another operatic take on the story of Christopher Columbus

8 5:8 Dec 1992 p29-30 Opera Review: Opera à la Kafka in Berlin

9 5:9 Jan 1993 p36-39 Opera Review[s: Milhaud, Glass, Blitzstein]

10 5:10 Feb 1993 p15 Opera Review: The Yellow Wallpaper

11 5:11 Mar/Apr 1993 p28-29 Opera Review: B(e)aring with Busby, Bolcom, Bronx

12 6:1 May/June 1993 p26-28 New CDs and Premieres of American Operas
---of the Near-Past, Present, and Future
---[Thomson, Blitzstein, Mayer, Coid, Ulehla, Rorem]

13 6:3 Sep/Oct 1993 p38-40 Music Review:
---Premiere productions and recordings of operas with texts from the 1920s
[Meeropol, Zhurbin, Krenek, Korngold]

14 6:4 Jan/Feb 1994 p29-32 Dramas of Ethnicity in 20th-Century Opera
--Rachmaninoff, Show Boat, Robeson, Esther, Marilyn, Griffelkin

15 6:5 Mar/Apr 1994 p32-34 Opera Review: The Pygmalion Effect:
RusalkaI, Cinderella, My Fair Lady, and The Universal Language

16 7:1 Jul/Aug 1994 p16-29 An Interview with Jack Beeson:
---One of America's few masters of operatic composition.

17 7:3 Nov/Dec 1994 p26-28 Book Review: Ned Rorem's Knowing When to Stop

Last updated on: Sept. 16, 2021